Twiztid discography Studio albums 11 Compilation albums 9 Music videos 27 EPs 10 This is the discography of, a duo that formed in. Since their 1997 debut on the label, they have garnered a major cult following. Consisting of and, they have released 11, 10, 9 and 1 mixtape.
They've also made guest appearances, both solo and as a group, on numerous Psychopathic releases over their decade in the music industry, as well as joining fellow Psychopathic artists on the label's compilations and forming the supergroups and. Twiztid left Psychopathic Records on Wednesday, December 12, 2012 and was announced by both ICP and Twiztid via Twitter, and was reported via. On September 12, 2014 INgrooves announced that Twiztid's new label is called.
Psychopathic Rydas Origin, Genres Years active 1999 – present Labels Associated acts, Members (1999–present) (1999–present)/ (2001–2006; 2007–present) Past members (1999) (2002–2005) (1999–2017) (1999–2017) (1999–2017) (2005–2012; 2013–2017) Psychopathic Rydas is an American group based in,. Formed in 1999, the group consists of -associated rappers performing under alternate stage names in the style of. The group's current lineup consists of, and Boondox. Anybody Killa was on the albums Check Your Shit in Bitch! And Limited Edition EP in 2004, left the label and group in 2007, and returned in 2011 for the albums EatShitnDie and Backdoor Ryda EP. The group's current lineup is: members as and, members as and, members as and, and as.
There have been 2 previous members of as and as. Contents. Background Dumpin Era (1999–2000) Psychopathic Rydas was created as a retaliation to the critics saying artists were 'wannabe rappers'. In the linear notes of fans could find out how to send proof of purchase to to get a full-length album titled, by a 'gangsta rap spoof' group called Psychopathic Rydas, featuring: members as, as, members as, as, as, and as and was released on.
Ryden Dirtay Era (2001–2003) After the release of had a falling out between and ( –, and – ) and left and leaving Psychopathic Rydas, and no longer doing. At the 2001 GOTJ, Psychopathic Rydas released their second full-length album titled, and their first EP titled. Charted at number 46 on the Independent Chart, and is mostly revered as their best album among the fan base. The album featured the lineup of: as, as, as, as and as and was released on.
Check Your Shit In Bitch! Era (2004–2006) In 2001 joined, created with fellow Psychopathic Rydas and artist , joined, and joining Psychopathic Rydas under the name, but was not on. In 2002 joined forming the group with and, and joined Psychopathic Rydas under the name. At the 2004 GOTJ Psychopathic Rydas released their third full-length album titled, and their second EP titled. The albums featured the lineup of: as, as, as, as, as, as and as and was released on. Duk Da Fuk Down Era (2007–2010) In 2005had a falling out with label mates, and left, and Psychopathic Rydas retiring the name. In 2006 left (leaving ), and left Psychopathic Rydas retiring the name.
In 2005 signed new artist, who released his debut album, and was announced at the 2006 GOTJ that has joined Psychopathic Rydas under the name. At the 2007 GOTJ Psychopathic Rydas released their fourth full-length album titled. The album featured the lineup of: as, as, as, as, as and as and was released on. EatShitNDie Era (2011–present) In 2008 returned to and Psychopathic Rydas, but not. At the 2011 GOTJ Psychopathic Rydas released their fifth full-length album titled, and their third EP titled. The album featured the lineup of: as, as, as, as, as, as and as and was released on. In May 2012 left, and Psychopathic Rydas retiring the name.
On December 12, 2012 , and of left to pursue their own career and start their own label, but did not leave Psychopathic Rydas. At the 2013 GOTJ it was announced that left and joined 's label, but did not leave Psychopathic Rydas.
At the same time it was announced that had returned to and returned to Psychopathic Rydas. In May 2015 had put in to get out of his contract with and it was made official at the 2015 GOTJ. At the 2015 GOTJ said a new Psychopathic Rydas album could be out at the 2016 GOTJ. Music and Style Psychopathic Rydas was formed in retaliation to the critics saying artists are wannabe gangster rappers. Psychopathic Rydas takes the music and beats from popular (mainstream) artists and songs, writes their verses and sell the albums without paying royalties. Extra aka Myzery (Twin Gats) was on the album Dumpin' in 1999.
Aka Esham (Converse) was on the albums Check Your Shit in Bitch! And Limited Edition EP in 2004. Aka Boondox (Yung Dirt) was on the albums Duk Da Fuk Down, EatShitNDie, and Backdoor Ryda EP from 2007 to 2011. Psychopathic Rydas reuses the beats of popular rappers within the genre without paying to license the original songs or requesting permission from copyright owners to use the music, effectively making their albums and resulting in the releases becoming difficult to find in some markets.
Psychopathic Rydas' debut album, Dumpin', was originally given away for correctly answering a series of trivia questions printed in the liner notes of Insane Clown Posse's album,. Although Twiztid and Blaze Ya Dead Homie left, they are still members of the Rydas group.
Discography. Dumpin' (1999). (2001). Pendulum #7: 3 Tunes for the Juggalos (2001). Check Your Shit In Bitch!
DISCOGRAPHY This is the official discography of The Hatchet Family. All of the rare songs listed in this section are not found on any of these available releases, unless noted. The Hatchet Family is defined as songs that featured two or more artists on the same track, and was usually individually released. Side projects and supergroups are also lumped into this section.
Studio Albums. Dumpin’ (Psychopathic Rydas). Tales From the Lotus Pod (Dark Lotus). Ryden Dirtay (Psychopathic Rydas).
Check Your Shit in Bitch! SONG RELEASE DETAILS LINK I Don’t Wanna Die The Pendulum #7 Psychopathic Rydas (Bullet).
After the release of Dumpin’ but before the release of Ryden Dirtay, it was planned for all 6 members of the Rydas to release solo albums as their respective personas. Although Foe Foe, Twin Gats, and Cell Block’s songs were never released or possibly even recorded, a few tracks did surface from the others. This track was released as the 7th Pendulum comic book single in 2000. Unlike all of the other Pendulum songs (besides the other two Rydas tracks and R.U. Wicked), this song was not reissued on any other release, so this is a rare exception.
What Rydas Do Fo Money The Pendulum #7 Psychopathic Rydas (Full Clip). This track was released as the 7th Pendulum comic book single in 2000. Unlike all of the other Pendulum songs (besides the other two Rydas tracks and R.U. Wicked), this song was not reissued on any other release, so this is a rare exception.
Shares the same story as the above mentioned Rydas solo projects. Who Wanna Flex? The Pendulum #7 Psychopathic Rydas (Bullet).
This track was released as the 7th Pendulum comic book single in 2000. Unlike all of the other Pendulum songs (besides the other two Rydas tracks and R.U. Wicked), this song was not reissued on any other release, so this is a rare exception. Shares the same story as the above mentioned Rydas solo projects.
The Game Ain’t Got No Love for Nobody n/a Psychopathic Rydas (Lil’ Shank). This track was released exclusively online a year after it was recorded, since at the end of the song he mentions a copyright of the year 2000. Shares the same story as the above mentioned Rydas solo projects. Fuck Dem n/a Marz and Insane Clown Posse. Recorded shortly before Marz joined Dark Lotus and released online, during the 2000 tour.
The verse by Marz was cut out and the beat changed for the song Who Is It, off of DJ Clay’s 2010 mixtape, Book of the Wicked 2. Whut (Alternate Version) n/a Insane Clown Posse and Esham. Recorded during the Bizaar/Bizzar sessions.
Esham was later cut out of the song and replaced by Twiztid on the final version. Esham also mentions joining Dark Lotus in his verse, hinting at being an early member of the group. SONG RELEASE DETAILS LINK What Is Love n/a Violent J and Esham. Along with a batch of other ICP and Esham songs, this was another random track recorded in 2005, and later released during Esham’s podcast. Why You Scared n/a Esham and Insane Clown Posse.
Another random track featuring Esham and Insane Clown Posse. Recorded in 2005 and was unreleased along with a bunch of other tracks until it appeared during Esham’s podcast. How You Gonna Top That? N/a Violent J and Esham. Was planned to be on an Esham album, but the beat was instead used for We Like It Like That off of ICP’s EP, The Calm.
Drinking and Driving n/a Insane Clown Posse and Esham. Outtake from a 2005 recording session. Why U So Krazy? N/a Krazy Klan (Lavel and Anybody Killa). Credited as Krazy Klan, and was rumored to be on ABK’s 2004 album Dirty History. Cut out for reasons unknown, and not released until nearly 4 years later.
Fucked Up n/a Anybody Killa and Lavel and Cash Kola. Another Krazy Klan outtake track, except it features Cash Kola, whom randomly appeared on Monoxide’s album Chainsmoker. All These Bitches Broke n/a Anybody Killa and Esham. Random track recorded in 2005.
SONG RELEASE DETAILS LINK n/a It Ain't Safe No More Soopa Villainz (Shaggy 2 Dope and Lavel and Esham and Violent J). In 2006, Esham presented his 8th podcast.
It consisted entirely of outtakes from the Soopa Villainz sessions, with a total of 15 songs. 1 song is simply the podcast intro, 1 song is a remix, and 1 song is a collaboration song with Esham which has no relation to the Soopa Villainz sessions yet was played at the end of the podcast anyway.
Download link is for a RAR file of the entire release. SONG RELEASE DETAILS LINK Where Do We Go From Here n/a Cold 187um and Violent J and Twiztid. Blaze Ya Dead Homie and Legz Diamond on the chorus, with Shaggy 2 Dope on the intro. A standalone single recorded and released during the American Psycho tour in 2011, this song also had a music video made for it. American Psychos American Psycho Twiztid and Insane Clown Posse. American Psycho was a tour exclusive EP released during the ICP and Twiztid tour in 2011. It contained two new songs by ICP, two new songs by Twiztid, and two new songs featuring both artists.
Get Geeked is the only song from this EP to be rereleased anywhere else.
That 'skyscraper' track is produced by the homie Pitchbull, good ramadan gift to him:up: Pitchbull told me he listened to the album twice n no he didn't make that beat n there's no Pitchbull beat at all in the album maybe esham stole that beat from somebody else who doesn't even know he's credited as Pitchbull on the album, maybe he doesn't even know who esham is Don't u think he would enjoy a virgin slave child more? That's when he gets to heaven I'll buy another if he doesn't send them at all. Word, same here Has Esham ever acknowledged Eastside in any way?
I feel like he should have by now. I don't think he has, i know for sure Mastamind knows who i am though. Theres not enough Esham discussions going on here ever since Lisa showed up and that is kind of pissing me off.
Shhhht, please no fuckin lisa in the esham thread:x I am probably gonna put the new album on my iPhone and dumb out on a bike ride in a couple hours. I'm actually enjoying mastamindz verses on this Dichotomy. Everything dead is a great track I feel like I know the samples from somewhere but can't quite put my finger on it. Peep a MAstamind album maybe:shrug: i don't know about the sample on EverythingDead but i know the one for 'Nothing' i guess everybody in the US knows this song. Listened to KKKill The Fetus, and then Bootleg from the lost vault vol 1.
(never made a volume 2). And damn what an awesome day it was. I thought you didn't like KKKTF:eek: Wait, why would he still be bitter? Because he started this wicked shit n that's the motherfuckin thx he gets I payed a pretty penny to get mine off Amazon, along with closed casket and boomin. Why would you buy it off Amazon when it's on acidrap.com for $12:( Cool, link me:cool: there (PS I no longer have them because my car got broken into and somebody stole them): shit, i wouldn't care about someone stealing my car, my esham cds on the other hand:-/ no way Esham's entire catalog is available via streaming through both Spotify and Apple Music. So which Esham record should I listen to today? Not the entire catalog but yea most of it i suggest Suspended Animation.
Did Eastside get his in the mail yet? Yea received everything alright, shirt's as good quality as the album:up: haven't updated this thread in a while, esham's put out new videos: 'Yesterday,' better than the Bruce Wayne version 'Nothing,' you can see esham's feet in the video 'Last Fucking Time,' inspired by his divorce, one of my favs on the album so esham was in italy recently n put a video together for 'Time Travel,' one of my favs on the album too i checked out esham's fb, it really looks like he traveled to italy n back to Detroit by himself, that's kinda idk, something. Albums: boomin words from hell judgment day vol 1 judgment day vol 2 judgment day vol 3 judgment day vol 4 kkkill the fetus closed casket dead flowers bruce wayne mail dominance tongues repentance a-1 yola martyr sity sacrificial lambz suspended animation subatomic DMT sessions Death of an Indie Label soundtrack Venus Flytrap Dichotomy esham aka homey: i ain't cha homey secret society circus compilations: the butcher shop detroit dogshit acid rain bootleg from the lost vault vol 1 Side projects: d.e.t. ^ yea that sucks, the FUQERRBDY shirts are not in stock anymore either:( n man these jackets, i'd just buy them all if i could n yes i received my remastered EP's cd, it's dope, i'm glad i didn't spend $30 on a scratched cd on ebay - The original king of Detroit Hip-Hop! Esham has been rapping since 1988 and even coined the terms Acid Rap and Wicketshit! Insane Clown Posse, Eminem, and Chance The Rapper have cited Esham as an influence, as well as inspiring many of the Horrorcore rappers that exist today.
Juggalo Weekend is completely sold out and the Juggalos that are lucky to have a ticket better not miss a second of Esham’s set! Esham will be rocking a live set with ICP at Harpo’s in Detroit, Saturday, FEB 20th! Two Wicketshit pioneers together!
It’s going to be legendary. Shout out to Esham & Reel Life Productions for this Faygoluvers.net exclusive! Chad Thomas Carsten: How would you describe Acid Rap/Wicketshit to a first time listener? Esham: Well how I would describe it, it’s like a LSD trip. For those who have never taken LSD, it would be uh, a crazy experience ya know, if you never took LSD before.
But if you’ve taken LSD and you’re familiar with it, it might even be a good wonderful trip /experience or what not. That’s how I would describe it. We try to get real heavy bass lines and we use all different kinds of music as far as Rap, Rock, Jazz etc. We’ve infused every kind of music into one form of music, which is Acid Rap!
We’ve taken a little bit of everything and put it into a gumbo. That’s kinda like how I would describe it, like a musical LSD gumbo. That’s a creative way to introduce that.
I like that concept.Laughs. I’ve never done LSD before. Interesting way to put it. Esham: I mean, ya know, it’s not something that I recommend for everybody.
Just like the music, ya know, LSD to each person that has taken it, you might experience something different. For everyone that experiences the wonder that is that drug, just like that wonder that is the Wicketshit, you might experience something different every-time you listen to it. So, that’s what that whole idea and concept is about with the Acid Rap/Wicketshit type of sound. CTC: Thank you for breaking that down. The EP collection just dropped! For those that may not be familiar with the term EP, can you break that down for us? What exactly is an EP and the reason on why you decided to release an EP in between each album?
Esham: EP back in the day, ya know before CD”s, EP stood for extended play. It was almost like a pre-show/precursor to a album.
You would put out a EP before the release of your album. You would put out, maybe your single would be on that EP and then you would put other songs that was not included on the album on this extended play. So that’s where that whole thing comes from.
And we put out 4 particular EP’s through out my career. And that was Homey Don’t Play, Erotic Poetry, Maggot Brain Theory and Hellterskkkelter. Each EP was introducing a album that was set to come out, ya know. CTC: All of them are good man! What are some lesser known stories behind the EP’s that people haven’t been heard before or a very rare story? Esham: Around 1990/91 when we made Homey Don’t Play/when were making the Homey Don’t Play cover and we was doing the whole concept to the record, which was the whole clown concept, the particular car that I’m on the album cover to homey the clown was my first vehicle.
It was a 1963 Ford Mercury Monterey. And that was the very first vehicle that I ever owned in my life! I believe I paid maybe like, 1100 bucks for that car. It was old school/ it was a classic. I drove that thing everywhere.
My Grandfather happened to give me 100 bucks to help me get the car, I think it was a 100 bucks short. He never let me live it down. I think he lived to be 85 years old and he always asked me about the 100 dollars, in a joking manner. But he wanted it back though.
But I never forgot that! I thought that was cool that my Grandfather helped me get that particular car. It wasn’t for the album cover, but it was my first car. It happened to be on the album cover. That’s a little fun fact behind the EP.
Actually, when we was doing the album cover for Homey Don’t Play, it was maybe 4-5 of us that was dressed up like clowns. TNT was one of the the guys, my cousin D, couple of the guys from my neighborhood, we were are all kinda like dressed up. And the picture that I took was actually the only one that we used. We had some some other photos, but ya know, just like everything thing else, they got lost, as time goes on stuff gets misplaced, but it was maybe like 4-5 other guys that was dressed up like that. I wish I could find some of the photos, but maybe one day one of them will turn up somewhere. It would be fun to see if I could find some of that stuff. It was just funny.
Just before anybody adapted that whole format to their concept and just ya know, helped this genre of music continue to grow. CTC: Erotic Poetry, I’m surprised that it wasn’t more of a pornographic cover. Esham: It wasn’t really about porno, even tho there was sex rhymes and stuff like that. But that was wayyy back in the day, even before people were doing any of those (in Detroit). It just me once again, doing like sex rhymes and really finding myself as a artist and trying to get my styles together. So that’s what Erotic Poetry was all about.
CTC: Hellterskkkelter! What was the main inspiration behind that? Esham: Hellterskkkelter was just basically about police brutality going on in Detroit at the time. Malice Green had just gotten beaten by the police to death. There was just a lot of unrest with the police/police brutality.
That record was basically kinda about those type of social situations at the time inside the community and worldwide! It was just a situation with the police, like it always been a situation with the police. That’s what Hellterskkkelter was always really about, like a code name for police brutality or just some fucked up social situation/ some Hellterskkkelter shit. Detroit and Devils night and all that crazy stuff that was going on back in the day.
CTC: Definitely a message you had to drop because of all that stuff going on. That’s pretty deep, man. Closed Casket, the production is unique and beyond original! Can you explain how you came up with the darker style of beats for Closed Casket? What exactly was your frame of mind at the time? Esham: Closed Casket, that particular was about, I wouldn’t stay stop the Wicketshit, but almost like a pot bubbling over (so to speak) of wickedness, that I was trying to put a lid on.
It bubbled over, ya know. There was no way to close it. They say I’m the one who created the wicket shit and opened the Hell’s doors. But in fact I was trying to close it back with this record. I was like “Well this is the Wicketshit, I’m gonna close this casket on it.
I hope no one ever opens this again. I hope I can seal this up!” and that was my thought when making the record and it just turned into some dark imagery/some darkness man. But that was all created from real life/real situations, things I heard watching the news. Just reflecting the things that were going on in 1994 at the time, in my city, Detroit. CTC: I’m originally from Flint, so I feel you.
Esham: So you already know. Even them times back in Flint, like the whole Michigan. I wouldn’t say it’s not as rough as it now, but it was still some trying times with the social unrest with the police/inequalities in life, I would say.
That’s where Closed Casket came from. A lot of young people was dying from Gang violence/black on black on violence/violence against each-other. It was about, if you go to a funeral and someone has a closed casket, 9 times outta ten it was like something happened to their body, where their body couldn’t be viewed anymore.
It had to be a closed casket. Something horrible happened.
So in a way making that record I was trying to prevent a lot of deaths/things of that nature. You listened to Closed Casket and this is what can happen to you/this is what can get you in a casket. You feel what I’m saying?! I was trying preventative measures, so to speak. That was my frame of my mind when making that album. I wanted to keep it to the Wicketshit, so it all sounds dark and real heavy.
CTC: It’s probably your darkest to date, man. I think it is. Esham: I think so! I mean, I’ve been listening to it lately. We just did some things. It’s one of my favorites. CTC: You paint a very vivid picture for “My Homie Got Shot”.
You can close your eyes when listening to it and it’s like you’re inside the song itself. Is the track based on a true story? Can we get into that? Esham: I know a lot of stories and a lot people that I know of have relatives/friends of mine and everybody knows somebody that has been shot. It’s sad to say that. I think 9 outta 10 people know somebody that’s been shot/a victim of gun violence.
It is based on a true story. I got cousins/my own family members that have been shot, some even killed/victims of gun violence. So, I would say in that sense It’s based on a true story. Because once again we all got somebody that we know that have been shot or a victim of gun violence. That’s really what the song is about. Somebody disrespecting somebody else and one of the people gets mad and comes back and shoots somebody else. This is what’s happening on the streets.
This is what’s happening today and this is what happened in the past. So yea, “My Homie Got Shot” was based on a true story.
It’s still based on a true story, because ya know, people still getting shot. CTC: It’s just one those tracks that hits you right away! You’re like “Whoa!”. Your wordplay man, it’s so creative.
Esham: You gotta realize this was 1994! And when we made that particular record, I think I recorded that on an eight-track. So there was no Pro-Tools or there was no copy and paste. It wasn’t really easy to do.
What is being done on these records (today) once again like, this is not a digital thing. All this stuff is coming through analog. That’s why it sounds like that. This was before digital and you know before the help of modern technology which we’ve all come to love so much. CTC: For real! Everyone takes advantage of it too.
They don’t realize how hard it was back in the day. Esham: Exactly, Chad. CTC: Did you mentally picture your own death and funeral when writing the track “Closed Casket”? Esham: No, actually not.
I never (when I was making the record Closed Casket/writing the song Closed Casket) was thinking about the closed casket as being my casket that was closed. I pictured it always as being someone else’s casket that I was looking. Closed Casket is not about my funeral it’s about the many funerals that have happened and the many funerals that will happen, you know what I’m saying?! It’s about the violence in the streets/children being murdered and their caskets having to be closed caskets from sustaining injuries where their family can’t view their bodies. I was trying to paint a dark picture in order to share some light on the subject.
That’s what it was about. I never thought about it as being my death or my casket, it was always me telling somebody else’s or reading somebody else’s eulogy, so to speak. CTC: From where did you sample the eulogy from? Esham: The eulogy was actually not a sample. I played all those tracks on the eulogy.
That’s an original track produced by (me) Esham. But the talking in there, that’s Richard Pryor and it’s a record called “That Nigger’s Crazy”. And I think that record went to number one on Billboard when it first came out. So that’s where that talking comes from, Richard Pryor, that’s who that is. That’s me scratching Richard Pryor.
CTC: It fits the album! Esham: No doubt! Richard Pryor was a great comedian, man! I always try to inject comedy in dark situations to lighten up the mood, too. Even tho he was speaking about some heavy subjects and was actually supposed to be taken lightly despite of his dark nature. Shout out to Richard Pryor! CTC: Especially his comedy stuff!
Esham: That’s right! CTC: What inspired the cover art for Closed Casket?
Esham: It’s supposed to be like a casket on fire, but it’s not. It’s actually like some roses laid out looking like a cross.
Back in these days, you gotta remember Kinko’s was still around. There was no computers and all this shit.
People that just have this shit in they house (today). You had to actually go to a fucking Kinko’s to make some copies of something or anything! And there was no fucking Photoshop/Photobucket, no endless supply of images.Laughs. You couldn’t go in and just be like “Yea I need some fire”. So in order to get that fire on there we had to actually set that shit on fire! We had to set the roses on fire on top of something and then take a picture of it. So you have little roses burning with real fire, so it would look like that.
That’s why it looks like real fire, cause even back in 1994 the people’s graphic game wasn’t on point. It wasn’t up to speed like it is today. So in order to even get that effect like that, we had to actually set that shit on fire and take a picture of it. That just blew my mind right there. We have come a long way! Esham: My brother was doing all that.
He was making that artwork, but that’s how we did it. There was no fire graphic, you know what I mean?.Laughs.
You actually had to have that shit or make it. We couldn’t green screen it. Just like the silk worms we had for Maggot Brain Theory, they were right there with us. We couldn’t find that no where, ya know?
CTC: Why did you decide to close the casket on doing the Wicketshit for a brief moment in 1994? Esham: Since we had started, by the time 1994 hit, it was so crazy! We was getting a lot of protests from a lot of churches, a lot of city leaders and just a lot things were coming down on us really heavy for the music and the content that we was putting out. CTC: Especially with Natas! Esham: With all those things! So by the time I was making Closed Casket, it was so heavy and people were taking art and misinterpreting the art and they were misinterpreting us as entertainers. I was trying to say “Well I’m closing the casket on this, this is just art”, because people were coming down so heavy on us.
In spite of a dark nature, I was trying to bring light to a dark subject. So I was attempting to right some of the wrongs, so to speak, by saying, “I’m trying to tell you all, don’t do this, you’ll end up like thi, if you do this!”.Laughs.
The wicketshit will never die. Even though I don’t want wrong to happen in the world, it’ll always continue! It’s outta my hands! Adobe indesign alternative for mac. Even though I could be the most righteous person in the world, it’s outta my hands. I attempted to close the casket, but once again the Wicketshit will never die! It’s just the way of the world, it’s real life. Life is the Wicketshit.
Things happen out here and will continue to happen. That’s what that was about. CTC:.In appreciation to esham's answer. Thank you! You’ve been remastering/re-releasing a lot of your early work.
Are there plans to release anymore remasters? Esham: Oh, hell yea! We’ve been doing so great with the remastering and these timeless classics deserve a second listen.
The next remaster classic that we have will be Closed Casket! Like I say, all of these things deserve a second listen, because when we recorded these records they were done in analog and you know just with the beauty of modern technology we were able to go back in those records and tweak them and turn everything up and give people a chance to appreciate the magic that actually happened on those records. You know it’s not pro-tools and it’s not cut and paste!
You know there were turn tables and things being played live. We couldn’t just loop something up. Shit had to be played for 4 minutes or however long the track was, you know what I’m saying?!.Laughs. It was lot of hard work that went into that. These timeless classics deserve a re-listen, so that’s why we’re remastering them.
And yes, we have Closed Casket coming up and we’ve got a few more surprises that people need to be checking out for coming up in the future. CTC: I’m excited for it. It’s Detroit Hip-Hop history. People gotta know where it started. Esham: It’s all good man, because you know it’s all Detroit!
And hey, it all comes back in the end to where it all started. So it’s all good! CTC: Speaking of 1994! Insane Clown Posse will be performing Ringmaster in it’s entirety on Day 2 of Juggalo Weekend!
You will be performing as well! That blew peoples lids (in a positive way). They’re excited that you’re on the bill. Have you and ICP officially buried the hatchet? Esham: It’s just like anything else.
It’s business. Business shit happens. People have disagreements. A lot of people hear stories and it’s just like a game of phone tag. By the time it gets back to me, it’s just the same story that it is and people really have no idea what they're talking about and really what’s going on with the situation as a whole. I would say yes, we’ve all put this behind us, because we know that in the greater sense of the art form and what’s best for the people and the culture, that we all get a long and we’ve all been getting a long. But it’s just business.
And it’s just like family, man. You have disagreements with your family and it’s nothing, you get over it and you move on. And I think that that’s what everybody has done. We’re moving on and we’re all just grown man. We can get a long and agree to disagree and we can still enjoy the music and the art form all together and celebrate the Wicketshit together!
That’s what we chose to do and that’s what it is. CTC: Hell yeah to that man! I’m really looking forward to seeing your set that day. I know it’s going to be kick ass! Esham: Hell yeah man!
CTC: What are you looking forward to the most about the show? How excited are you? Esham: Awe man!
I’m excited to come back home to Detroit! I haven’t been there in awhile. I’m excited to just hang out with my bros, see all the people and have a good time man! I’m excited to come bring the Wicketshit on February 20th! That’s actually two days before TNT’s birthday. So I’ll be celebrating TNT‘s birthday and we’ll all be celebrating the Wicketshit on those days man. And that’ll be the shit!
CTC: Shout out to TNT! Are you planning on working on anything with Daniel Jordan, because fans love your guys’ work together from what I’ve seen within the underground. Esham: We done that project with Daniel and Daniel Jordan is a good friend of mine. I wish him the best.
Psychopathic Rydas Limited Edition Ep Rar Files
We work with Daniel from time to time. I haven’t heard nothing lately and I haven’t talked to him in a minute, but I wish Daniel the best and if he needs my help on something I’m always there for Daniel. Maybe in the future, who knows. CTC: What is the future of Esham?
What can we expect? Esham: Well shit, I mean, man! The future, we’re doing more shows. Back in the studio just concentrating on some good music and making sure we get the company up to speed and bringing it to the future where needs to be.
Looking forward to new music and all type of shit, man. Staying very busy! The future is looking very bright! I need some sunglasses! That’s all I can say about it. I’m very excited about it.
We got a lot of things on the plate, man. I don’t wanna give away too much, but we gotta a lot stuff in store. We appreciate everybody for supporting us and keeping the Wicketshit alive and keeping it going. We’re here for the long term. We’re here to entertain and like I said, keep the culture alive.
CTC: You guys are keeping alive. It’s cool that RLP is back to it’s fullest and just kicking ass, man! I think new fans are discovering your music, because you’re re-releasing the albums. Esham: No doubt! It gives everybody a chance to really just take a listen to where this all came from/where it all started. Just join the ride and catch the Wicketshit wave. It might start at Esham, but who knows where you’ll end up.
You might end up on ICP, you might end up on Twiztid, hell you might even end up on some Tech N9ne. But it’s all part of the Wicketshit wave. Doesn’t matter how you start or where you end up, just catch the wave. It’s all about the Wicketshit, it’ll never die! CTC: Thank you Esham! This was an honor to do man! I’ve been wanting to do this interview for awhile.
It’s cool we got to work together on this. I appreciate you taking the time out of your day to this, man. Esham: Nah, thank you Chad!
I’ll do this anytime. I appreciate the look, man. Pre-order the Closed Casket remaster on n check out the Can't Take it Wit Cha remastered track https://soundcloud.com/rlpgothom. Nah, just throwin up the East, and strapped with nine shots. I don't know why he'd throw a fork up to rep Eastside. Especially considering FOLK sets have been in Detroit for decades.
You would think he'd know better. Not to mention the fact Twiztid grew up on the Eastside as well (not too far from Esham) and always threw it up like this: Also, ICP used to claim Southwest yet threw up the same sign, back when they'd shout FOLK sets out on tracks http://i63.tinypic.com/70w9l4.jpg.
Just a brief comment on the “news” Faygoluvers Heaven posted yesterday Don’t be so quick to buy into the hype of negativity. That post is one of the most viewed/shared posts on their page, because let’s face it, that’s what people want to read. But since so many of you have asked, here’s the truth: Absolutely nothing negative happened at the #GOTJ17.
The fans were amazing, RLP unloaded alot of new merchandise, and everyone left feeling good about it all. Esham’s decision not to return to the gathering was made months ago! That is the reason he sweat his ass off in 90°+ for 13 hours in a vintage ICP jersey, and the reason for the two hour set. For the fans and the music. Esham has been ripped off again! Vey true new shirts n a cd on esham's store: 1466s2.jpg/v1/fill/w420,h372,alc,q80,usm0.661.000.01/17abce19454289b46a4d58af8f56b9cc13af68mv2d1656 1466s2.jpg 1475s2.jpg/v1/fill/w420,h375,alc,q80,usm0.661.000.01/17abce1e21e4ce129845fbafd7fbmv2d1654 1475s2.jpg $10 www.acidrap.com. I'm listening to dichotomy, it pisses me off how half assed esham can be sometimes some of these tracks are so fucking dope then the other ones are mixed like shit just turn the volume way up on the tracks with shitty mixing:up: Dichotomy is his best album over the last 5 years, IMO.
Yep, best one since Suspended Animation i'd say yea the beats are dope as fuck but most of the mixing on the album is trash, just sucks he won't pay for someone to mix his shit or atleast take his time. That's just the way esham makes music, tbh i'd be sad if esham started to sound all clear n flawless.
Psychopathic Rydas Dumpin Tracklist
There you go man. O.C.-SmokeandMirrors-Retail-2005-CMS.zip dope ^^^ and some 'new' releases. DigablePlanets-BeyondtheSpectrumtheCreamySpyChronicles-2005-tLOC.zip SadatX-ExperienceAndEducation-2005-EGO.zip Casual-PresentsSmashRockwell-2005-EGO.zip greenhouseeffect-columbusorbust-2005-rns.zip BruLei-1978-Retail-2004-FTD.zip (asta nu e nou, dar m-a impresionat) necroillbillgoretexandmrhyde-circleoftyrants-2005-ftdint.zip asamov -andnow-retail-2005-ysp.zip mf doom as king geedorah - take me to your leader.zip Sage Francis - Still Sick. Urine Trouble (2002).zip murs-murs316the9thedition-2004-ftd.zip jaylib vs. J-rocc - champion sound bonus cd.zip jaylib-championsound-2003-wcr.zip jaylib-jaylibouttakes-2005-cmsint.zip Enjoy!!!